Starting With A Whole Pig, Part III: From Sacrifice to Sausage
Wednesday, March 3rd, 2010
While dabbling with the blood of sacrifice, don’t think I haven’t been feasting as well!
I’ve wanted to make blood sausage ever since I read Jeffrey Steingarten’s essay, “It Takes a Village to Kill a Pig,” where he places boudin noir in his pantheon of “the hundred greatest foods of the world” (de-throning the frozen Milky Way bar!). I had a chance to eat some last spring, when I was in London and came across a shop selling charcuterie from organic, English meats. It was ghastly – mealy in texture, with no redeeming flavor. To get a good boudin, it seemed, I was going to have to make it myself.
Which is not as easy as you might think. Although it is legal to sell pig’s blood in the US, the slaughterhouse has to have special equipment and has to be specially certified, which almost nobody bothers to do. As a result, about the only place you can find pig’s blood is at an Asian market, where it will be frozen. But I wanted fresh blood. Following the centuries-old tradition of French farmhouses (which you can also find beautifully documented in the opening pages of Stéphane Reynaud’s cookbook, Pork & Sons), I wanted to make boudin on the same day that the pig was slaughtered and encase it in the pig’s own intestines.





Two recent, random events:
My backyard is a special place. If the art of living is finding a balance between dreaming and laboring, then my backyard is where that comes home for me. My backyard is where I’m free to experiment, and as a consquence it’s littered with half-finished projects, half-baked ideas, and the ghosts of all the projects I’ve never taken on. And each year I labor mightily to finish them up, to tidy things up, to get organized, but I start so many new things that the end result is the same: a balancing act, a work in progress, or just a jumble.
Yesterday, when